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Messages - Ryan

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Author Craft / Re: Writers round table
« on: February 26, 2008, 04:49:51 AM »
Then he let me go and I almost fell to my knees.  Air.  Sweet humid clean air.  I gulped lungs full of it for a few seconds and managed to choke out "What...?"  I wanted to say "what the hell are you talking about" but my abused throat objected and I started to cough.

Thirty hacking seconds later, I could breathe again, but I kept coughing, because something that kind of had the shape of something in the plan neighborhood was forming, and I needed the time. At the full minute mark, I hunched forward, made some dry heaving sounds, and my right hand groped for a stick I'd banged my knee on moments before.

My hand wrapped around it and I straightened right up, took a big, raspy breath, raised my arm and hurled the stick, yelling "Fetch!" as loud as I could (which was almost as loud as my indoor voice). The THING took off into the night, and the knight half-turned to watch it go.

At which point I launched myself to my feet,  sort of latched onto his wrist and hand and pried the lightsaber away, and sprinted down the street, really, really wishing the weapon were real.

Of course, then it was.

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Author Craft / Re: Writers round table
« on: February 23, 2008, 03:45:14 AM »
Shrugging into my lime green PVC raincoat, I realized that I was a pot and he was a kettle (granted, more literally on his end, more kitschily on mine) and laughing would be wrong, or at least really hypocritical. Still, a depressed-looking knight in your yard-- it's inherently funny, and I probably wouldn't have been able to help myself, until I tossed my kitchen for a flashlight and found it, all corroded to hell by battery acid. Which meant... Crap.

I went back to my room to retrieve my Force FX lightsaber. If it was going to be a duel for the silliness mantle, I was totally bringing it.

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Author Craft / Re: Writers round table
« on: February 22, 2008, 11:09:24 PM »
It was a dark and stormy knight, and unfortunately, as far as I knew, Batman was fictional. And didn't rock chainmail. Or the weather.

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Author Craft / My Series
« on: January 20, 2008, 07:56:34 AM »
Hi, so I thought I'd dip a toe in over here and ask for some thoughts on this TV series idea I've been working on. It's presently up to seven episodes. I can't blurb to save my life, so I'd ask you not to judge them off those alone. Feel free to read and respond (or not, if you like to lurk) to any or all (or none) of them. Mostly though, enjoy. The series name (for lack of anything better coming to mind) is Frameshift:

Good At Being Gone (Pilot): Josh Shepherd has just woken up from ten years of amnesia. That'd be bad enough. Except he's shot, is probably crazy and might be a serial killer....

Good Enough: Shopping for a birthday gift turns into a hunt for a missing kid that involves things a whole lot bigger than a custody dispute.

All In: Josh tries to help Noah's maid pay off a triad. And he succeeds. But then things get a bit... difficult.

This and That: Sleep's not too keen on Josh, so he goes for a walk. Then he bumps into a mugger, Claire and someone with a secret....

Gwen: Time to go on the offensive. Josh hits Seattle to find out just who Andrew Porter is. Meanwhile, Hackett's not going down without a fight.

Josh Shepherd's Day Off: Andrew Porter, terrorist? Looks that way. Josh finds answers, but will he make it out alive? With Noah leading the rescue?

Children of the Porn: Josh is asked to help find a missing girl. But then he uncovers a strange double life and a secret that could tear a friend's life apart.

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DFRPG / Re: Parallel Fiction
« on: October 09, 2007, 08:15:14 PM »
I cannot conceive of a legal environment in which such a project even has the barest breath of hope of happening.

Actually, it's not especially difficult legally. Jim absolutely can't read some random fanfic sent to him in an e-mail, no argument. But I don't think that's what Squidnurse is proposing. His idea, I think, can be more easily compared to that of a TV show.

Let's say you want to get a job writing for "Chuck" (first thing comes to mind). You can't just send a script to them, obviously; they can't read it, and you'd be lucky if they even opened it before trashing it or sending it right back to you. But, if you sign a release that says, basically, "I understand you could be working on something similar to what I'm sending you, and I really can't do a lot if you produce something like this later," (you can, of course, try, but it's an uphill battle) you can (though a lot of places don't really do that and you need an agent even to get to that point). Granted, most shows aren't reading scripts for their show, but it's somewhat less a legal concern and more a creative one, as the "Chuck" people are going to be a hell of a lot more picky about a "Chuck" script than they're going to be on one for... "Reaper".

So it's easy enough for Jim to be more or less legally secure in reading a story set in the Dresdenverse. In terms of the logistics of such a project, it's still not so completely unwieldy. Jim could furnish the equivalent of a TV show bible with the general rules of how magic works in the universe, some non-essential background on the Vampire and Fairy Courts, etc. (obviously, he couldn't throw out anything actually necessary to the story of the Dresden Files). So that's the general guide for submissions.

The problem arises in the spirit of the proposed project. Letting new writers get a foot in the door. I mean, that means a lot of unadulterated crap is going to get submitted. The simplest way to cull most of the crap herd is to require a short synopsis (one page should do). Many will likely ignore the rule and get cut by default while others will have to admit in about the first line that they've included Harry or Murphy or Kincaid as a main character (*snip*). After the easy cuts of the blatantly non-compliant, you take the best of the synopses (obviously, some perfectly compliant stories will still just not be good enough) and request the full stories. Which get cut again in a similar way (though, obviously fewer cuts for being completely off-base and more for just not being very good). Jim's publishers could get it down to, say, thirty of the best stories and submit those to him, and he'd make the final cut, possibly tweak or provide notes to get the stories into full compliance with canon, and you publish (ideally, paperback and halfway between main Harry releases).

The real question isn't legal, and it's not even really how to do it. It's a cost and creative question. Would the money and effort spent doing this make it worthwhile? And then, the creative question, would Jim even want something like this out there? If it turned out it'd make money and Jim were on board, then the legality of it is really fairly easy to work out.

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