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Messages - seekmore

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1
DF Reference Collection / Re: Questions Specifically for Jim, Part 3
« on: April 16, 2010, 11:36:41 PM »
Here is a question

is Changes the last book in the dresden files series?

No, Changes is about the halfway point of the series. That makes around twelves more books.

The next book is Ghost Story and is supposed to come out next April.

There is a collection of short stories, called Side Jobs, slated to come out this fall. It also includes a novella called Aftermath, which is Murphy's POV and set 45 minutes after the end of Changes.

2
Lack of actual means of transportation.

And I might be able to scrape up enough to buy the actual book, but not much else.

3
This is upsetting.

I live in Tomball, but have no way of getting downtown on a Tuesday.

4
Author Craft / Re: Some Fantasy Standards
« on: September 09, 2009, 09:49:45 PM »
And WotC will sue your pants off if you get even close to using it, I bet.

Nah, just pitch it to them as a novel. They do publish books.

5
Author Craft / Re: Some Fantasy Standards
« on: September 05, 2009, 07:40:03 AM »
Regardless, the magic part is defined even if some of the other details are less clear to you.

I don't know how far you are Aludra, so I'm going to spoiler all of what I am about to say, as it contains information from Brisingr.

(click to show/hide)

Which is true? The facts we are given on the matter go one way, but the two situations directly contradict one another.

Another problem is power levels:

Again in Brisingr,
(click to show/hide)

6
Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 10:26:18 PM »
..

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Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 09:03:43 PM »
He can't do ANYTHING, there are still limits regarding expended energy.
Listening to the book makes it harder, but I am still fairly certain that you contradicted yourself.  Either there are 2 languages, and in which case Eragon did his ballad in the elvish one, or there is just the one language that elves speak which is the ancient language and it can be used to create fiction.

No, it's made clear that Eragon wrote his ballad in the Ancient Language. Oromis says he should not have been able to do so, and Eragon says he was because he believes it to be true with all his heart(or some such).

The Elves didn't come up with the Ancient Language, some other race did. The Grey Ones, or something.

Quote
I still say there's the intent to deceive which it blocks you from acting on, not necessarily telling untruths.

But we are given no explanation for it.

Quote
And Oromis wouldn't have taught Brom the secrets if Brom didn't finish the training (Which Brom didn't) because Oromis says they only taught the unspoken spell thing to students who had mastered every bit of magic.  Which Brom hadn't.

Why didn't Brom finish training? There's no reason for him not to have. He and Morzan trained together.

Morzan apparently did, or was he an untrained apprentice-type dragonrider who somehow managed to kill a bunch of other fully-trained Dragonriders?

Another thing that bothers me:

We are told that casting magic without the Ancient language is incredibly dangerous and that the Elves are taught not to do so unless it is absolutely necessary.

Yet the Queen non-verbally magicks up some flowers when Eragon meets her. And Vanil uses magic non-verbally in ever one of his duels with Eragon.


And another thing: Eragon's swordsmanship. In less than a year Eragon has gone from being a farmboy to being able to best a warrior with literally over a thousand years more practice than he.

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Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 08:25:12 PM »
Brom doesn't know everything the elves do and left out a lot of Eragon's education.

Except Oromis trained Brom, and there is a fairly major discrepancy there.

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Oromis explains that there are actually no limits, but you can do magic by speaking which imposes limits on it.

Which means there should be no story. No limits means you can do anything. Eragon could just say Galbatorix's mountain and everything on it turns to dust, and it should be so.

We are explicitly told that you cannot tell a lie in the Ancient Language(or whatever they call it), yet Eragon proceeds to do so with his ballad.

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And it seems that there's a difference between fictional literature and fact in the language, or there wouldn't be fiction for Eragon to read. 

And we are given no evidence of this. The information we are given is: Lies=No. Truth=Yes.

No language is like that, though. A word is a word, whether it used for fact or fiction.

The elves have their own language. And they have the Ancient Language, unless I remember incorrectly.

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In any case, there is a clearly defined mechanism for magic and it's history despite some minor inconsistancies which have less to do with magic and more to do with language.


Except that magic is the language. Inconsistencies between the two shouldn't exist.

9
Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 08:07:00 PM »
I don't know why you say it isn't clearly defined.  You might revisit book 2.  Eragon's teacher explains it.

And it contradicts what we hear from Brom in the first book, nor is it defined what the limits are.

And Eragon immediately contradicts what Oromis teaches by writing that ballad, which is a fictionalized accounting of his battle with Durza.

10
Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 07:39:02 PM »
Have you read a good fantasy series where magic works where there were no rules?

The only series I've read where there wasn;t a fairly clearly defined system of magic was the Inheritance Cycle.....and that is hardly an example of good fantasy.

11
Author Craft / Re: Some Fantasy Standards
« on: September 04, 2009, 06:40:38 PM »
Since no one has pointed this out yet there are a few pretty old and rather obscure myths/legends concerning vampires.  Silver hurts them, they have a bit of OCD concerning mustard seeds (this one from eastern europe) according to the myth if traveling around at night carry a pocketful of mustard seeds and if you are being followed by a vampire pull them out and scatter them on the ground the vampire will then have to stop and pickup every last one of them,  some other legends also state that vampires are super strong but not very quick so they can't pull the speedy gonzales thing on a victim, and most are rather stupid anyway.    However vampires posess differetn abilities depending on where the legends come from.

There's basically a vampire-like legend for every human culture, and they all differ in some way. As long as you make them fairly balanced, it shouldn't matter what sources you draw from.

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Author Craft / Re: Some Fantasy Standards
« on: August 31, 2009, 05:53:19 PM »
Like that South American(or was it Southeast Asia?) that consisted of a levitating woman's head with entrails dangling out of the neck that twinkled like fireflies.

13
Author Craft / Re: Anyone using scrivener a writer's program?
« on: August 24, 2009, 06:25:18 PM »
Yeah, someone gave me a heads up on this and I'm looking for additional input as to its useful value.

http://www.literatureandlatte.com/scrivener.html

I've got to say that it looks pretty impressive.  Too good to be true, I'm wondering?

I know two published authors that swear by it.

14
Author Craft / Re: Okay new game: hooked or not hooked.....
« on: August 23, 2009, 07:07:49 PM »
Ah, yeah, then what I wrote is definitely not YA lol.

Not sure if that was part of the criteria...

It wasn't, that just happens to be what my writing at the moment is.

And the quoted section was my submission...not a critique.

15
Author Craft / Re: Okay new game: hooked or not hooked.....
« on: August 23, 2009, 05:57:38 AM »
I almost cheated and put a portion of the climactic chapter where the fairly untrained heroine engages the antagonist in hand to hand combat in a sewer with a three foot piece of rusted rebar, but I decided against that and and went with part of the prologue:





The shadow slides up his hoodie, wrapping itself almost lovingly around his torso. He shivers involuntarily. As the shadow closes around his neck, the tingle of unease at the back of his mind blossoms into full-blown panic. He sprints, desperately making for his apartment and the safety of a locked door.

A sudden clamping of the shadow forces all the air from his lungs in a whoosh. Jacob collapses, falling face first into the road. The unyielding asphalt scrapes painfully against his face, but he doesn't notice as his body now feels likes it is on fire.  The creature's tendrils sink into his chest to wrap around his heart and squeeze. His mouth and lungs work in a futile effort to draw breath.

In its haste to feed, the monster let its grip go slack. The pressure redoubles with a rib-cracking crunch. Spots appear before his eyes. His oxygen-deprived limbs begin to convulse despite the monsters efforts to keep him still.

Jacob thrashes soundlessly against the asphalt, but quickly his efforts begin to slow. The blood pools in his limbs and then spots dance before his eyes.

Jacob stares upward. The stars, normally dim spots in the city lights and smog, shine brilliantly in his field of vision before everything goes blissfully dark and quiet.

After a few minutes, the shadow moves again.  It glides silently over the sidewalk and down an alley, a fine dust rising in its wake.





It needs some work. The original idea had this in the second person, which wouldn't work for the YA story I'm writing, and so the flow and grammar still needs some work.

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