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Messages - Willowhugger

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31
Author Craft / Re: Agents - Yea or Nay?
« on: December 30, 2006, 11:38:28 AM »
I thought I could get by without an agent.  I was reassured that I had an excellent publisher who'd advertise my book well and were a "medium sized publisher."

I sold 66 books.

....

Half by myself.

32
Author Craft / Do you use "inspirational material"?
« on: December 26, 2006, 04:25:15 AM »
For me, when writing contemporary fantasy, I make it a point to surround myself with Hellblazer, Witch Hunter Robin, Anita Blake, and Harry Dresden (even Kim Harrison sometimes) while writing.  It helps me stay focused on the kind of genre I want to write in. I think Steven King said something like "writing is like milk.  It tastes like whatever its next to in the fridge."

I actually screw myself occasionally by going to read or watch something widely different from what I want to right.

33
Author Craft / Re: Vampire Use In Contemporary Fantasy
« on: December 25, 2006, 12:28:08 PM »
I think its important to note that the Vampire market has mostly been expanding by leaps and bounds to become it's own sub-genre because several authors have managed to create a market for it where it didn't exist before.  This actually means that people are going to be less burned out than people expected.  I'll go down with a list of things that have occurred in the past 10-20 years that have had a major impact on the market.

1. Anne Rice's Interview with a Vampire series.
2. White Wolf's Vampire the Masquerade and it's LARP
3. Joss Wheldon's Buffy the Vampire Slayer.
4. The Blade Trilogy
5. The Anita Blake series that is more a literary benefit.

Urban Fantasy has been slowly expanding as a market because the trail has been slowly but surely pathed by people adding daily to it.  The Hellblazer series I tend to actually think started the Urban Fantasy genre some thirty years ago.  Chris Carter's The X-files is the biggest gift of it to the world today (though aliens are now utterly passe again as a part of urban mythology).  Neil Gaiman and others have also added to it.

Hell, even Harry Potter.

In general, I think that vampires will always have a place in fantasy because they fulfill the role of an easily usable mythological monster.  They're also very flexible creatures for their usage.  You've got the Byronic "I'm cursed" hero types and romantic leads that everyone since Frank Langella has been harping on (though I'd love to see some more sexy female vampires honestly).  You've got the mindless monster style vampires that are always good for cannon fodder.  You've also got the intelligent ancient evils at work as well.

Vampires I don't think will ever become passe since there's so many ways to do them.  Does no one remember how people said that Hammer Horror had completely tapped out the genre (probably not but my father believed that).  In my books, I tend to use them as a combination of ravenous monsters and intelligent manipulative scum.  It's no coincidence that I also make one of the heroes' lovers into a vampire but I keep her villainous.  Why? Because I think they work better as femme fatales than genuine people to be interested in.

I also think that even movies of questionable content like Keanu Reeve's Constantine will help keep the urban fantasy world alive.  More work equals the fans expanding.  I honestly don't believe that Christian mythology would be taken seriously as a genuine work for fantasy were not there some genuinely fun pieces incorporating it.  I'm referring, of course, to works like The Omen and The Prophecy where they work wonderfully.

Sadly, it's been a while since the Howling and werewolves need a shot in the arm.

34
Author Craft / Re: How powerful should a protagionist be?
« on: December 25, 2006, 07:14:21 AM »
Hence why Superman has never been a good protagonist in my mind.  He's just too powerful and the only thing that can bring him down is kryptonite.

Well obviously something works about Superman because he's been 70 years at this point without missing a beat and will easily make it to 100.  I think the biggest problem with Superman is the "perception of power" with him.  Superman can't accomplish everything but everyone feels he can. 

Oftentimes, the perception of a lead's power is more important than his actual level of it.

35
Author Craft / How powerful should a protagionist be?
« on: December 25, 2006, 06:24:48 AM »
An interesting question and especially appropriate one to fiction where the protagonist might be a vampire, wizard, world's greatest fighter, or so on.

:-)

36
Author Craft / Writing Sequels
« on: December 25, 2006, 02:22:19 AM »
Hey, I was inspired to write a second story almost immediately after finishing my first (90,000 word) novel.  The problem is that the first one isn't published yet.

Is it a good idea to make a series to sell?

A complicated issue I'm sure.

37
Author Craft / Re: Published Author On Board
« on: December 24, 2006, 05:32:10 AM »
Hey, my name is Charles Phipps.

Alas, with a company that has sold sixty copies of my best selling book in Windstorm Creative.  :le sigh:  That's why I've submitted my next book to the Donald Maas literary agency (don't let ANYONE say otherwise-you need an agent).  It's called Hard Broiled Magician.   I'm very proud of the work and think its my best yet.  My previous books in the Machines Unbound series sadly cost an incredible period of two years in my life to write.  I even got friends involved in the writing.  Seeing it bomb so spectacularly (I can't even join the Science Fiction and Fantasy Writers Association of America) really sent me into a deep depression for awhile.  I actually worry it's hurting my chances to become professional.

I wish I'd had a community like this to guide me through the bad steps along the way.  I also used to be head of a RPG company called Seraphim Guard.  Sadly, my time there was sort of marked by a lot of infighting in the ranks and all of our projects failed to materialize much in the way of RPGs.  I was actually quite proud of some of my projects that fell through.

Nevertheless, the best advice from my trials and tribulations is to keep trying and never give up your dream.  As soon as I succeed, I'll be able to say how it was worth it :-)

I also wrote some silly children's books called the "Wooing of Ozma" and the "Engagement of Ozma"."

38
Episode Archive / Re: BB001 - All About the TV!
« on: December 23, 2006, 02:29:45 AM »
Great to hear the Susan debates in this episode settled.

Awesome stuff all round in this podcast.

The 1st episode was a nice teaser but if this is the quality we come to expect then I am ALL for it

39
DFRPG / Re: Spirit of the Century - Survey Needs Responses!
« on: December 23, 2006, 12:53:08 AM »
I like Spirit of the Century a great deal.  It's an amazing game.

OnNnnnnn the other hand, I already have Adventure and I'm worried about buying another Pulp game that won't have supplements for it.

I'll probably pick it up though.

(*sighs* I miss Indiana Jones WEG)

40
Author Craft / Re: The Illusion of Danger
« on: December 23, 2006, 12:37:58 AM »
Well I know this is necromancy but I wanted to make a statement because it reflects my views on the topic of book writing.  For me, the important thing about danger is that it isn't about whether the character will live or die but helping the reader identify with the main protagonist.

Highlander the series had characters whom were immortal but because they feared death at the hands of their enemies and had all the other mortal foibles, they were able to be identified with.

41
The Butcher Block / Re: Your Episode Ideas Here
« on: December 22, 2006, 11:00:59 PM »
Oooo!

I'd definitely tune in for one that featured someone from the Donald Maass Literary Agency... Mr. Maass has some *damn* fine books on writing technique out there (I own two, and have made a point to have them in my store where I recommend and sell them regularly).  To say nothing of the other wonderful subjects they could discuss, I'd simply love to hear a discussion of "Writing The Breakout Novel" in terms of Jim Butcher's works in specific...

I believe Jim wrote Storm Front *before* having an agent, but despite that, I've always thought the Dresden Files are textbook examples of the advice Donald Maass gives to new authors in his book and workbook.  I'd also LOVE to hear Jim weigh in on how Maassively his writing has been influenced by his experiences with the agency.   ;D

Huh, I just sent my first 5 pages along with an author query towards the Maas agency.  I hope they're willing to represent me.
 
Okay, well here's what I'd like to see on the next episode of the Butcher Block.

* A Butcher Block Review of Proven Guilty and thoughts regarding the book.

* Character Spotlight: Harry Dresden.
A discussion of the characteristics of Harry and why we love him.

* RPG Preview: A moment explaining some fact about the RPG like how magic is handled or something similiar.

* Some talk about Jim's fantasy novels


But yes, I'd love to see a show on Proven Guilty.

Can you give us a hint what the next episode might contain?

42
DFRPG / Re: Will the Dresden file RPG have supplements?
« on: December 18, 2006, 10:27:49 PM »
True, I am very fond of large amounts of supplemental material though because it always adds to the experience.

A singular affordable RPG is great so long as it remains in print but I'm greedy.

;-)

43
DFRPG / Re: Will the Dresden file RPG have supplements?
« on: December 18, 2006, 09:25:53 PM »
Pity, I'd really love to see expansion books.

But that'd probably require Jim's approval and review before it could be done.

44
DFRPG / Will the Dresden file RPG have supplements?
« on: December 18, 2006, 09:07:14 PM »
Just a curiosity here.

If so, any ideas of what you'd like to do for them?

45
DFRPG / What sort of things can we expect from the Dresden Files RPG?
« on: December 18, 2006, 09:06:25 PM »
From what we've seen thus far it'll contain rules for magic, the monsters, and how to create city based campaigns with a Dresden "feel" from what I can tell.

What else will we see in the future? A possible history of magic or information beyond the books or is that exceeding the grasp of Jim Butcher's work?

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