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Messages - Yuillegan

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1306
DF Spoilers / Mr Sunshine has wiped out universes before. - WOJ
« on: April 08, 2018, 01:34:57 AM »
Mr Sunshine has wiped out universes before.

I know in regards to Jim saying (controversially) trust nothing he says, which is sound advice, he is also winding us up a bit. He loves playing games. And yes he spreads some misinformation, but we will work that out over time.

This however is "new" info, off the cuff. Psychologically speaking, it probably is true.

See attachment for evidence.

I am going to post more WOJ as I find it, but I think in general there is a lot to be found.

1307
DF Spoilers / Dresden Files - could it be adapted to a video game?
« on: March 01, 2018, 07:18:19 AM »
So as a bit of a what if - could you do a sort of vaguely Witcher/Mass Effect/God of War type game. Heavy on story and action of course, throw in some Arkham style detective work and puzzle solving and keep the comedy coming and I think it could be a lot of fun. The hardest thing to decide would be how much dialogue would be yours to choose I guess. I suppose you could do it like Mass Effect and have a sort of "canon" story and the rest are "what if" scenarios.

Anyway I am keen to here your thoughts, what could it look like, what would it need, what to avoid etc. Have at it!

1308
DF Spoilers / Re: Altered Carbon - Could Netflix do Dresden?
« on: February 11, 2018, 12:57:43 AM »
Netflix did a uf movie in the last month or two called Bright starring Will Smith.  Critics hated it, but the public seemed to like it.  I haven't had time to watch it yet.

Yeah it wasn't I suppose good cinema, but it was fun and they landed the cgi and fantasy/modern mash up. Biggest issue I think was the heavy-handed allegories and messages, and some of the pacing. Will Smith also just annoys me in general these days, but that's on me.

I was told (also you can tell) that some of their series took seasons before they found their audience, before any real interest or attention was given.
Netflix has ALL the money they saved during their DVD days, and then streaming, before they broke into making their own content.
If they chose DF as a series, they could make 2-3 or even 4 seasons and wait patiently on the viewers to come to them.
On the other hand Fox cancelled Firefly in a half a season, and Drive in 2 episodes.
DF home should be Netflix hands down.

But an example of them cancelling a popular high-budget sci-fi/mystery show was Sense8. Hard to know what the viewer numbers were like (as Netflix guards them strongly) but based on the size of the fanbase - it came down to the fact they wanted more money to dish around (unless you believe the conspiracy theories around Netflix's new corporate direction is to be more family friendly - I point to Altered Carbon to dispute that claim). Don't get me wrong, few other networks could do DF right - maybe Amazon or Starz, at a pinch HBO - but I think I would rather them streamline it a little while maintaining the core of the DF rather than losing the series half-way.

I finished altered carbon, which show does a decent parallel to dresden files and or has time travel.

Indeed, but they did close off the ending a bit abruptly (new lead actor, bold but dangerous) and the main murder mystery tends to get in the way of all the other interesting mysteries - I really didn't care much about who or why Laurens Bancroft was killed in the end, I mostly was more interested in the Envoys, AI and dark stuff in the background. And the vague alien references.

1309
DF Spoilers / Re: Altered Carbon - Could Netflix do Dresden?
« on: February 09, 2018, 07:22:09 AM »
lot of Netflix series immediately start psychology and angst as main topics with not enough action to show depth of main character as the bad ass hero. and dresden files needs its constant action and witty banter to keep plot going as lot of times its like 24 series where harry is against the clock to beat the bad guys. so we dont have time to delve harry's 13 year old trauma for half a season before ending simple day worth of action.

I understand your concern...however Dresden Files actually does have a lot of psychology, and does spend a fair amount of time on his childhood past. I agree that they would have to be careful; rarely does the pacing and lines in books translate well into screen and stage. That is why so many changes happen to the source material and yet I think the best remakes tend to not stray far - but when they do they make appropriate and clever choices about what works and what does not. I think it would be worth having Jim as a consultant, maybe even a writer time to time (like George RR Martin).

Bigger budgets would be better. I'd still be happy with either. However, there are definitely some hurdles to getting it right.

Chronologically, it makes the most sense to do one season per book, since most of the books are a year-ish apart from one another. The problem with that is that it stretches some of the books out longer than would be viable for a series. Can you imagine Storm Front dissected into twelfths? A lot of stuff would need to be added for padding.

The alternative would be to condense multiple books into each season. The problem there is the giant gap between the events of each book mentioned previously.

A possible solution for the seasons that would otherwise be light on content would be to throw in the stuff from the Short Stories and Graphic Novels. For instance, make Storm Front into a season, but throw in things like flashbacks to a Restoration of Faith and Welcome to the Jungle.

The biggest transition from pages to screen would be the narration. You would to translate the vast amounts of non-event, non-interaction, non-dialogue content to the viewer. In the books, so much information is directly narrated to the reader about how spells work, the nature of the supernatural players, relationships of previously met characters, etc. How do you convey all that without just making info dumps on the viewer and throwing flashbacks at them willy nilly? Or do you convey it? Maybe it's better to leave more of it unsaid.

Much as I'd love to see the Dresden Files, a Netflix Original Series, or similar, I'm skeptical of them taking the time to do it right.

I think unfortunately due to the sheer amount of content and the way episodes work these days some people and events would have to be amalgamated. I hope not too much, but it would take someone much more experienced and clever to figure that out. I think 2 books a season is fine... but most shows barely have 3 seasons before people start losing interest (and risk losing budgets) I think you would have to trim the fat and end up almost with 3 a season (works out to about 6-7 seasons and a movie trilogy for the BAT?) Even GoT is only in up to it's 8th and final season - and while it has grown its budget it admittedly isn't the groundbreaking show it started out as.

The info dumps would be tricky - but some shows handle that better than others. I am skeptical too but I have hope that it could really work.

The major problem with CGI is organics.  Spaceships, buildings, cars, armor suits, weapons and full-time bodied costumes are great.  But anything requiring organic material, be it skin, faces, animals, or plants, and it looks fake.

AC and other sci-fi shows can get away with no organic CGI, but I don't know that Dresden could.  Especially on a limited budget.  There's so much in Dresden that would require quality CGI or quality costuming with CGI features that it might be cost-prohibitive.
I absolutely agree. It never ages well either - more prosthetics, less CGI is always better (just ask George Lucas!). Perhaps an interaction with WETA would be required.

The hardest thing of all, as was found in the original attempt, is actually the magic. Harry cuts loose all the time, but even in Star Wars, Harry Potter and the LOTR etc they even have limits on how often they throw magic around. Probably a clever workaround would be more physical fights, and maybe some Heroes-esque CGI. I am not the biggest fan of that, but they did manage to show a lot of powers each episode.

What Urban Fantasy movie?

Also I think DF ticks enough demographics, I think they would be fine.

I really do think however we as fans need to become more vocal - it won't happen without a push, and it certainly won't get the budget it needs without a big vocal message. Realistically, GoT was quite niche but amongst fanbases they were quite large. And we are not. So we really would have to make a lot of noise.

1310
DF Spoilers / Altered Carbon - Could Netflix do Dresden?
« on: February 08, 2018, 06:54:37 AM »
Hi gang it has been too long! I must admit that I mostly come here for news of the latest book but I do enjoy the WAGs!

For those who may have watched Netflix's latest blockbuster binge-fest, Altered Carbon you might have noticed some similarities. A big, angry brooding hero that everybody knows and somewhat fears, who is constantly fighting for his life against something bigger and more mysterious than himself with sexy naked people throwing themselves at him - ring any bells? There is even a feisty cop (who is very attractive) and an excellent fighter who is a love interest, and hates him and keeps thinking he is one of the bad guys. She is a great Murphy/Susan combination. The lead (while a lot less quippy and admittedly nerdy) is still a big, brooding thinking who is also great at taking on the world (with a massive oversized pistol), he is very insouciant to people he dislikes (especially if they are powerful) and he has a dark past. He even has a mouthy (horny?) assistant in his AI hotel Po (quite like Bob, he is very powerful but beholden to his master and cannot leave a certain area - not only that he is extremely knowledgeable).

The sci-fi setting is just as crazy and wild as the dresdenverse, the villains as devilish and the violence as incredible and visceral. And there is lots of sex and nudity (IT REALLY DOES SELL!) For great examples look at Westworld, Sense8, GoT

My point is - I think if Altered Carbon could be pitched, sold and made as successful as it is fast becoming then I believe the Dresden Files would be just as good, if not better.

It would require a really excellent team to execute it well, with good timing so it did not compete with any other big action fest. I also think the format would have to become a bit more cliffhanger-like for people to get really hooked. I doubt a book a season would actually work, so probably a few books per season might have to happen. My personal peeve is when people create monsters and characters for no good reason, when perfectly good examples already existed in the fiction. It can't become a monster of the week or buddy cop (like Lucifer) - it needs to remain a mystery-noir action fest - rather like Altered Carbon.  I also think the monologue/soliloquies would be a great staple too. 

All in all, what would you all like to see - and how could we make this happen? Genuine thoughts here guys - look at what vocal fanbases have achieved in the past.

Any other examples of what shows could be used as a great basis for DF? Anything I have left out?

Cheers

1311
Hi All,

So I was re-reading Skin Games recently and noticed a line I have noticed before but forgotten to mention. After the initial fight between Murphy and Nicodemus where Murphy is injured and Michael steps in to save her, Uriel appears. And essentially acts like himself and an angel. He pleads with Michael Carpenter to not leave the boundary of the house, but Michael insists. So he assists Michael in crossing the boundary by bestowing his angelic essence, his grace, into Michael.

When explaining what happened to Michael after Harry accidentally breaks Uriel's nose and everyone begins to notice that an Archangel can bleed and realizing that is not normal - he says the line "It was not with our power to heal what was done to you". The use of "our" in that sentence has piqued my interest.

Is Uriel one part of a greater whole? The simplest explanation was he was using the royal "our" OR he was revering to the entire heavenly host (like saying the US can help you, we can help you).

HOWEVER, it is possible he means it in the way the Mothers do. Especially if everything is tied together, see the GUCMT thread in the DF Reference Collection for more on that. http://www.jimbutcheronline.com/bb/index.php/topic,41981.0.html

Could all Archangels be linked, parts of a greater whole...TWG? Or perhaps all angels are linked to the TWG, similar to the Gabriel movie where they are all linked to "the Source". It poses some interesting questions if the angels, or even just the Archangels are linked. IF all the Archangels form the being that is known as TWG, where does Lucifer fit in?

Let me know your thoughts!
 

1312
Cinder Spires Spoilers / Re: [TAW SPOILERS] Let's talk religion
« on: October 21, 2015, 12:45:45 AM »
All I can say is the references to Archangels have me waiting for Mr. Sunshine to make a crossover appearance. 


I happen to agree with you. I mean Jim does play with us a bit but I got the impression he'd considered a crossover from his slightly teasing answer in a Q&A a while back. It was a question about whether DF would cross over with CA. I would definitely love to see CS as part of the DFU. Consider the surface creatures and the Enemy. Especially with that recent WoJ about Outsiders looking different in each universe.

I also rather enjoy your take Burger_Prince. Reminds me a lot of Zelzanzy's Lord of Light. Super advanced techno-gods and what not. I don't think he'll go there at this point however.

1313
DF Reference Collection / Re: Foxed's Crazy Theory Emporium
« on: February 01, 2015, 03:55:17 AM »
Ah yes thank you, that's quite helpful. I start to see how something Mortals in the DV might see as a God, give them a Name and responsibilities might change an Aeon into something much more limited than it actually is. Or rather, the limits on Aeons are imposed by Choice. Choice defines Power, so no matter how much juice something has - it's useless until a Choice is made. Perhaps some Aeons have more Juice to power larger Choices. Maybe that's what Uriel meant when he "spoke" through Michael - Choices are what change reality, not power and these Choices create their own realities where "good" or "evil" prevail.

I guess Hecate might merely be the accepted view in the DV for something much greater than a minor Greek Goddess. She had so much power she had to be create something else to change what she was perceived as, for whatever goal. Perhaps to prevent the dissolution of a reality, or of many realities.

I certainly thought the Gnostic ideas where fascinating. I think if it were to be applied to DV, assume that the Almighty is the Sophia character (Or at least, an enormous entity that believes itself to be the Almighty in the DV) and that God created a deformed Aeon which we'll call Lucifer who rebelled in order to have Choice, but refused to let go of Power so could not get Free Will and therefore everything Lucifer does is really serving the Almighty's purposes. Also the WOJ about Uriel not necessarily being who we think he is is intriguing. Anyone know where that WOJ is? What is Uriel if he isn't actually an archangel? What is his real purpose, apart from the one he believes?

1314
DF Reference Collection / Re: Foxed's Crazy Theory Emporium
« on: January 29, 2015, 10:21:36 PM »
Sorry to double post. But in answer to Mira, I remember this PC game my sister used to play about faeries, and I'd have to help her past some of the levels. There was a gatekeeper in that, he guarded the cave of time or something like that. I doubt Jim has even heard of it, but still I wonder if the game had some basis in lore. As for whether he has a counterpart in Arabian Mythology I found nothing. BUT how about this!

Quote
Crone, the (Pan-Celtic) One aspect of the Triple Goddess. She represents old age or death, Winter, the end of all things, the waning moon, post-menstrual phases of women's lives, all destruction that precedes regeneration through her cauldron of rebirth. Crows and other black creatures are sacred to her. Dogs often accompanied her and guarded the gates of her after-world, helping her receive the dead. In Celtic myth, the gatekeeper-dog was named Dormarth (Death's Door). The Irish Celts maintained that true curses could be cast with the aid of a dog. Therefore, they used the word cainte (dog) for a satiric Bard with the magic power to speak curses that came true.

http://www.druidcircle.org/library/index.php?title=List_of_Celtic_Gods_%26_Goddesses

Includes some links between Mother Winter and Crone/Death and the Moon (Hecate) and even the fabled Triple Goddess (Hecate again, norns, fates, queens). But the bit about Dormarth was interesting. Cerberus guards the Greco-Roman Underworld. Hades has some link to the Queens. The Queens have a Gatekeeper. I wonder about the links there... Also in Celtic mythology, Dragons were gatekeepers to other worlds and guarded the secrets and treasures of the universe. Lots about Gatekeepers, but not much to do with Arab Mythos I am afraid.

1315
DF Reference Collection / Re: Foxed's Crazy Theory Emporium
« on: January 29, 2015, 09:56:13 PM »
Well, the Romans brought Olympianism to the isles, was my guess.

Serack has a wonderful grand unifying theory about mantles and power. The gist of what's relevant to this theory is that the more power one has, the more spiritual gravity one has, and the more the material world bends and breaks around you. The idea is that Hecate found herself with too much power, and spun it off into a trinity to have someone who can operate in the material world (the maiden), someone who can operate in the spiritual world (the crone), and someone who can straddle both worlds (the mother).

Citation, please? I'm honestly curious, because it makes more sense that Baba Yaga is a name for Mother Winter and yet I'm straining trying to peg the original beings behind the retired Mother Summer and the current Mother Summer.

Sounds like you're on my crazier Magna Mater theory. Which... no... could it be that Hecate is just another name, another aspect, and further down the rabbit hole lies the Mother Goddess Herself (whom Joseph Campbell cheekily calls Our Lady of Mammoths)?

Oh, no worries here. Peer review helps develop my theories into something truly crazy.

That does work, the Roman angle. Had not considered that. I feel there must have been an important reason that she went there/convinced the Romans to go there. Apart from the losing power thing. I'll have too look at the Roman conquest of Britain again and see what stands out.

Yes I just read his theory. It is quite excellent, I think he's really onto something there, especially in relation to the Amber Chronicles stuff. I don't know if I agree about Hecate spinning off her power though, even if she was clever enough to get it. While I think it fits the theory (having some with real Power, some that can do both and some that do the almost-mortal thing) I just don't get why she would spin her power away. Could you quote/explain the part of Serack's GUCMT that examines that? I couldn't really find it. Also, what Serack said about the Baba Yaga quote. I can't find the link, but it's around if you search for it.

I would rather like to read your Magna Mater theory. Could you link it? I suspect I will agree that all these names/forms lead to one big Mother Goddess type thing. Good good, we'll get some really wild theories going then!

I honestly think everyone should look at Pathfinder in terms of Baba Yaga, the Artosa, Morgannan, the Fey, and definitely a look in on the First World. I have my own theory about Jim borrowing/being influenced by his love of D&D stuff.   

1316
DF Reference Collection / Re: Foxed's Crazy Theory Emporium
« on: January 29, 2015, 08:31:21 AM »
Ahh yes that is true. My mistake for misinterpreting the theory. Yes, as a character arc it still would work despite the plot. Thank you for the Jotunheim theory, I will get into that in a moment. As for Muspelheim...I too have wondered if it might be Outside. If it is, then Loki could be part Outsider demon, if not completely, especially as in some versions he was from Muspel, not Jotunheim. If Loki were from Muspelheim, and Odin met him, then Odin may have crossed Outside. I know the more accepted version is that Loki is merely a Jotun...but I feel that's a bit boring for Jim. Also if Muspelheim is Outside, then where is Surt? The EPIC guardian of Muspelheim who will burn all the Nine Realms in Ragnarok with his sword of flame. He is the Destroyer, similar to Kali or Shiva in Hinduism or Apophis/Apep in Egyptian Mythology. Not that I am saying Hinduism is mythology, for the record.

The divide between the Faerie Courts coincided with the Fae assuming the defense of the Outer Gates, and also with the decline of paganism in Scandinavia. Previously, the Jotun had guarded the Outer Gates, and the Aesir had protected Midgard from the Jotun. However, with the decline of pagan worship, Odin, the Normans' chief god struck a deal with the Fairy Queens1, the Celts' chief goddesses, to ensure the defense of Reality.

That all works quite well I think. Though this raises a few questions: why were the Aesir and Jotun's guarding all of reality? Did anyone guard it before them? If so, who? Was it the Greco-Roman Gods? The Hindu Gods? All the various Gods? My personal belief is that perhaps the Angels were the original guards, and that the various Gods and Goddesses of the many pantheons were either created by the angels OR were former angels OR were helping since the beginning too. The angels can no longer guard the gates as they had to fight an enormous civil war that they are sort of still fighting against Hell. I suspect all of the pantheons guarded the gates at one point...the way the WOJ is worded makes it sound like they have been fighting since the beginning, everyone else has left.

Per Bob, Hecate was originally a Hag who achieved divinity through a bloody ascension rite.2 Mythologically, she's one of those weird pre-Olympian mystery goddesses infesting Greco-Roman paganism. The tri-part goddess statues in Hades' Vault3 lead us to conclude that the three Fairy Queen mantles are, together, Hecate in her triple goddess form (Mother, Maiden, Crone). Given the confusion in the real world over whether Hecate is the Crone or the trinity, I'd say it's fair to assume that she is both. At some point after her ascension, she spun off her power into the three mantles, and kept the Crone mantle for herself.

It is currently unknown to whom Hecate the Crone gave the other two mantles to, and I know I've shed pixels trying to pick Olympian divinities who could take the mantles. This makes no sense, however, as the Olympians have their own divinity, and would not need to accept more power from Hecate the Crone. Given the connection apparent between Hecate and the Fae, we must look elsewhere in Europe.

I think your conclusion may be false with Hecate. Yes, the triple-goddess statue in Hades vault COULD be Hecate, but I don't think that's the whole tale. Harry identifies the statues as the Lady, the Queen and the Mother of Summer and Winter respectively. And he's met them! Now we know they have other names/identities. I think Hannah Ascher either identified them incorrectly OR she was only partially right. I think over recent WOJs and via lines in the books it's been made clear that gods are nowhere NEAR as powerful as the Mothers and Archangels. Therefore I just don't think Hecate can be Mother Winter. Not to spoil to much potentially, but I suggest anyone who wants to get a more precise version of what Hecate/the Fates/Norns/Queens/Triple Goddess might be should read Neil Gaimen's Sandman comics. I suspect Jim might have got some influence there. I think his Power scale might also be similar to, in relation to where gods, angels, archangels etc stand.

Also, why would suddenly Hecate, a pre-Olympian Greek Goddess (a Titan in some versions) go to the Faeries of Ireland and Britain? She hasn't been linked to them afaik outside of something like the Sandman. It seems really odd, the connection between the Fae and the Olympians in the Dresdenverse. I suspect we don't have the full puzzle.

they are the Celtic pantheon, but Christianity sapped their power, spinning them into heroes with supernatural powers instead of gods. I speculate that the Crone Hecate found her Mother and Maiden within this pantheon of not-quite divine figures. By binding the Mother, Maiden, Crone to the existing Tuatha De Danann, the Fairy Court arose from the Mantle-wearers and their followers.

I think you are definitely onto something here, it certainly fits your theory. However, we have no actual facts from Jim or the books that this might have or even could happen, so it's a wait-and-see scenario. Certainly a good reason why some old gods losing power might suddenly accept Power from Hecate. Though mind you, Hecate's power would be drained as well, she wasn't really being worshiped too heavily around that time. She might have kept getting more power, or found alternative sources to belief. I also find it interesting that Hades is still quite powerful, even without belief. That being said, Hades did say he no longer has the power to influence destiny or something to that effect.

All your stuff on Jotunheim and defending the Outer Gates works. Definitely some some interesting links between Winter and Jotunheim. The Aesir, while not being exactly happy go lucky guys, did live in a bright realm in the sky with elves next door and OLD PAGAN GODS (VANIR) on the other side. Very Summer-y. Somehow the Vanir angle seems to be important to me, though I haven't really got a good theory why...

1066 is where this all comes together. The Norse Normans invade Celtic England even as Norse paganism is on the decline, and Christianity on the rise, in Scandinavia. The decline of paganism is a problem for the Aesir, as they aren't worshiped as much as in the past, and are losing power. This is not a problem for the Jotun, as they aren't worshiped as such in the first place. The invasion of England is a problem for the Fairy Court, as the people who tell their stories are getting slaughtered.

So Odin, chief god of the Normans, and the Fairy Queens, representatives of the English, meet to discuss terms. This is a blending of the various sources for British fantasy, the Norse, Celtic, and Greco-Roman religions. The end result is that the Jotun are banished (to team up with the Fomor), the Normans take England, and the Fairy Court splits to assume the defense of the Outer Gates. Hecate the Crone assumes the Mother Winter role. And she loses her walking stick.

Mab and Titania

My gut says that Mab was the Maiden at the time of the split. Then, during the split, the Crone Hecate became Mother Winter, The Maiden Mab promoted herself to Winter Queen, and the Mother became Summer Queen. For symmetry, Mab's twin sister, Titania, became the Summer Lady (where Mab started). When Mother Summer abdicated (I'm still going to guess this was Baba Yaga), the Summer Queen became Mother Summer, and Titania became Summer Queen.

Well this all seems to work together. I think Odin was invading for a reason, attempting to force things with the Tuatha de Danaan. I think he lost and the terms were made to him, not the other way round. You forget that the Vikings led by Harald Hardrada lost to Harald Tostig. William's Normans beat him after that. MAYBE Odin was pulling the strings and won with two armies. That does seem to be his style. But that was the last Scandinavian invasion of England, so I think he lost something there. And Odin even says he isn't what he used to be. He's like a soldier who has gone into private security because he is out of the front lines of the war (reasonably common actually).

Now I don't get on board with Hecate becoming Mother Winter and all that. WOJ actually says the Mother Winter is Baba Yaga...I certainly don't think she lost her staff in 1066. I think that was later, to the White Council, after the original Merlin.
I also think no one has considered that the Mantles predate the Courts of Faerie. I think that they are REQUIRED for whichever pantheon is holding the Outer Gates, in order to keep the Outsiders Out. Seems like they are tied into every mythological pantheon, everyone has their oen names for them. Norse call them Norns, Greeks call them Fates (Moirai), Baba Yaga in Russian, Hecate pre-Greek etc. Probably Jim could link them everywhere if he chose too.

Wow, long post. Did not intend it to be this massive...woops! Sorry to rip on your arguments, I am mostly just stirring the pot and seeing what happens. I really did enjoy the theories though, they have been some of the most compelling I've seen here on the forums. :)

1317
DF Reference Collection / Re: Foxed's Crazy Theory Emporium
« on: January 26, 2015, 10:19:17 PM »
I certainly think you have some excellent points there. Jim has some qualifications to do with creative writing and English literature I believe. I certainly like the idea of the road of trials. It helps explain the very Harry-centric, minimized supporting cast for the last few books. I personally would love to see the old crowd get some proper screen time in the next book. I think you left out Ghost Story, which I felt was a big old cluebat of a book. The entire book for me was laying out the groundwork of stuff that Harry will have to deal with later on, may or may not involve Mirror Mirror. I think though, that the last bit of the casefiles will end differently to what you've outlined. Jim may still use the Hero's Journey template, but I think that if you have a "big apocalyptic trilogy" coming, the series will build, not resolve. I think the last couple of books are more likely to build towards a major event that will set the stage for the trilogy. Just my two cents.

Also, would love to hear your theory on Jotunheim being Arctis Tor, though I personally think Jotunheim is more than a fortress, which is all Arctis Tor is. Jotunheim is an entire mountainous realm of winter and fjords. Any theories on Muspelheim? I do wonder if Harry might discover something in a realm of fire and darkness, which in some interpretations recently has been a substitute for Chaos.

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