So, I was listening to the dulcet tones of James Marsters narrating White Night for the umpteenth time, when there was a particular line that stopped me in my tracks. Quite frankly, it fairly overturned what I thought of as a hard-and-fast rule of the Dresden Files, and shook up my understanding of what Ways are and how they are formed – something that I thought was pretty simple to understand. Is this a goof of Jim’s?
This passage happens in the fight in the Deeps; Marcone suggests that they leave the fight and escape to the Nevernever:
The gate was six feet away from me; we could pull up stakes, hop through, and close it behind us. Gates to the spirit world paid absolutely no attention to trivial things like geography. They obeyed laws of imagination, intention, pattern of thought. Even if Cowl was back there, he wouldn’t be able to open a gate to the same place as mine because he didn’t think like me, feel like me, or share my intent or purpose. White Night chapter 39
But… this doesn’t make sense, on several levels. If two people opening a Way in the same place cannot open it to the same location – if, as suggested, the location it is opened to is somewhat reliant on the intent, purpose, and feelings of the individual – that would completely destroy some of the mechanics of travel in the Nevernever. There would be no point in Dresden having Graver stake out the Way in Chicago during Turn Coat, for example, because there would not be a common path from one location to another. There would be no point in Dresden advising Morgan what was on the other side of his storage bolthole in TC, either, because Morgan would undoubtedly open it to a different location than Dresden would. In fact, Margaret’s gift to her son would be completely useless if this was the case; she gives exact directions through the Ways, down to the number of paces, which could not function well if there was some sort of ambiguity. And that’s not to mention that it would be
impossible for Harry and crew to follow the Fetches in Proven Guilty, or Agatha Hagglethorn in Grave Peril. If Cowl couldn’t follow Harry by opening a closed gate, then Harry couldn’t follow the fetches for the same reason - he certainly didn’t have the same thoughts, feelings, intent, and purpose as the Fetches.
So why does Harry act as if he were to close his gate to the Nevernever, no one could open up a gate in the same location and follow?
I understand that Ways are fluid and don’t always stay the same, but Jim has always portrayed their locations as being anchored to their metaphysical resonance of the real world – i.e., a creepy-and-scary location in the real world might connect with a scary place in the Nevernever, and a creepy-and-sad location a few yards away connect to a sad place a hundred miles away in the Nevernever. If the nature of the place changes – such as blasting into Marcone’s vault instead of breaking in, for example – the end point of the Way might change, but this is related to an actual change that happened to the nature of the location, not due to the perception of the person performing the ritual. If Ways change naturally – and they do – they often change gradually, over years and decades. Not immediately, because someone who thinks differently opened a Way.
It seems at first as if Dresden's quote in White Night is a goof… but this isn’t the only time that Jim communicates the idea that if a person steps into the Nevernever and closes the gate behind him, he can’t be followed. In Turn Coat, Peabody’s escape ends with him ripping open a gate into the Nevernever, causing a significant injury to a Warden in order to delay Dresden, and jumping through. Dresden follows Peabody before the gate closes thanks to Luccio’s intervention and tackles Peabody. Instead of preparing to ambush Dresden with a lethal attack, Peabody had instead been wasting his time
trying to close the gate. Why waste the time he bought himself trying to close a door that could so quickly be opened again? By messing with the gate, Peabody exposed a weakness and delayed his escape, which eventually led to his death. Completely stupid, unless he knew that he couldn’t be followed if the Way was closed.
I know that Jim presents Ways in this exact same way in at least one other instance, but I can’t recall the source.
How do you all understand Ways to work? Is this a goof of Jim’s, used for narrative convenience in this scene? Or are Ways far more complex than the broad brushstrokes I’m painting them with?